The Inception Of An Alternate Reality, More Gemini And Temporal Distortions Part 2

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Robert Phoenix

Robert Phoenix

journalist, blogger, interviewer, astrologer & psychic medium

The Moment Of Inception

“An idea. Resilient, highly contagious. Once an idea has taken hold of the brain it’s almost impossible to iradicate. An idea that is fully formed, fully understood. That sticks, right in there somewhere.” That is one of the opening lines of “Inception” Christopher Nolan’s film about the nature of reality, dream states and dreams-within-dreams-within-dreams. As we look at Aurora and just about everything else on this planet and this level of consensus reality, its important to keep that one line in mind. What DiCaprio’s character is talking about, is about planting the seed of an idea in someone’s mind to get them to believe that it’s their own idea or their own thought.

When I started this blog, that was part of the thread that I was following and using astrology, both as a map and as a sort of cosmic de-coder, I/we could begin to not only view these events in terms of cosmic cycles, but also from the perspective that astrology, like almost everything else had been hijacked to reinforce a particular version of reality based on a symbolic, para-sympathetic response.

In the first part of this series, I saw Gemini occur again and again and again, not only as a dualistic theme in the first Batman film by Nolan, but also in the actors and writers associated with the film. There are as I counted them, Liam Neeson, Cillian Murphy, Morgan Freeman and Jonathan Nolan, Christopher Nolan’s brother, the writer of “Following” (more on that film later), “Memento” and “The Dark Night Rises.” There are two other signs, Aquarius and Libra which also show up prominently in Nolan’s films. Guy Pearce (Memento), Hugh Jackman (The Prestige) and Marrilon Cottilard (Inception and The Dark Knight Rises) are all Libras (the synthesis of duality through balance). Joseph Gordon-Levitt (Inception and The Dark Night Rises) and Christian Bale (All three Batman films and The Prestige) are both Aquarians.

Air is the element of magic and the temporal domain of Lucifer, being that he fell from the stars and all. Air, the sky, where Venus dwell as the morning-star, the plumed-serpent crown adorning his image on frescoes, walls and parchments. Air is the realm of ideas. It is the incubator of the inception. All of these actors bring their air to Nolan’s films and out of these films comes layer upon layer of a hyper-reality that is being super-imposed upon ours. This is the case with most films.

Our cells are holographic receptors. They hold and contain thousands of memories and are filed away into two distinct categories; love or fear. The fear based memories trigger anxiety, worry and stress. The love based memories trigger alignment, resonance and opportunity. Our cells are basically neutral. Its what we program them with, which can determine how our particular reality can unfold along a given line of emotion co-creating with intention. The thing that is the most powerful is exactly what Dom Cobb aka DiCaprio alludes to. Its when we think our thoughts are our own. Advertising has been exploiting this since Uncle Ed Bernays started to to tug on our Freudian proclivities and get us to do silly things like eat bacon and eggs for breakfast.

With an event like Aurora, we’re being shocked into thoughts like we need more gun control and more security. This is a trauma based inception. The trauma is a symptom of a psychopathological virus that has infested our collective psyche. Once the trauma occurs, then the programs are inserted. The problem with this methodology is that after repeated triggering, people are becoming more and more de-sensitized to the trauma itself. Holding up the theater of the trauma then becomes increasingly more difficult to sustain as well. Using Nolan’s own metaphor from “Inception” that once the sub-conscious feels as though it is being manipulated, it will turn on the dreamer and produce the manifestations of the dreamer’s buried psychosis. This is the case on the collective level as well. There is a tipping point with the dream matrix where the collective sub-conscious will re-coil upon the architects of the dream. How can that be ameliorated? Well, lets take the Olympics for example. I won’t get into a specific, blow-by-blow breakdown of the opening ceremonies, save the fact that I thought that using the theme for the Exorcist in conjunction with dozens and dozens illuminated beds, filled with orphans, attended to by nurse-mom, Mary Poppins look-a-likes, was a very interesting choice of symbols, images and sounds to say the least.

But in terms of what the Olympics were on the back-end of Aurora, was the sense that the world is a safe and loving place, that we can all come together as one and the Queen Mum is the May Queen, Isis herself of this world. The fanfare of the Zion Olympics is inserted into the psychic wound of Aurora and now we have this idea that they are a grand event and these are wonderful people. Thus the thought becomes our own, theoretically. We have to believe its ours from the jump

Let’s get back into the cinematrix of duality, Gemini, timelines and dreams within dreams.


Joseph Gordon-Levitt has been acting since he was a child. Both of his parents are Jewish. They were influential in forming the “Progressive Jewish Alliance” which theoretically could be characterized as the current state of the democratic party. Gordon played Tommy “Solomon” in “3rd Rock From The Sun” where a critic from the S.F. Chronicle noted that he was a Jewish kid acting as an alien, pretending to be a Jewish kid. We’re talking three levels of reality (dream-within-a-dream-within-a-dream). Levitt is also the name of the first official suburb and planned housing development in the USA (Levitttown). Levittown became the matrix model for nearly all living in the 20th century. One of Gordon-Levitt’s early roles was as the “Scarecrow” in a play of “The Wizard Of Oz” at the age of four. MK Ultra score keepers duly take note.

One of his roles from the 90’s was in a series called, get ready for this one, “The Powers That Be” which aired for a brief time. It starred the late John Forsythe in an American comedy of manners about a Senator and his dysfunctional family in Washington D.C.. Gordon-Leviit also starred in Graeg Araki’s, “Mysterious Skin” where he played a sexually abused by who turns into a gay, male, prostitute. Of course he stars in the “Dark Night Rises” where he plays “John Blake” Batman’s ally, who, actually helps save Batman and Gotham City. Blake of course is also reference to Blake’s “New Jerusalem” and “London’s Dark Satanic Mills” which was a theme within-a-theme of the opening ceremonies. Again, the celluloid bleed and burn from one reality to the next, is carried on by an almost interchangeable cast of characters, signs, inferences, segues and dissolves. This was never more apparent than the bizarre sequence of yesterdays ceremonies when Daniel Craig as James Bond (let’s start there) enters Buckingham Palace and escorts the “real queen” to a helicopter, where they fly to the Olympic stadium and theoretically jump out the helicopter ala Bond. Director Danny Boyle went from film, to real time, to back to film and then real time again, demonstrating exactly what I’m talking about. Then the “real queen” pops out and into her box. Let the games begin!

Gordon-Leviit also bears an uncanny resemblance to Heath Ledger. Here’s a few pictures of the Ledger/Gordon-Levitt reflection.

Ledger of course played the joker in “The Dark Knight” and soon met his untimely end shortly after the film become a box office smash. The first person that was contacted when Ledger was found dead was Mary Kate-Olson, who had “allegedly” been having a secret liaison with Ledger and was feeding him bother over and under the counter drugs. Of course, Olson is a twin and a Gemini.

In the film, “The Imaginarium Of Dr. Parnassus” Ledger is found hanging by his neck beneath “Blackfriars” bridge. This is the same bridge where the powerful Italian banker, Roberto Calvi was found hanging as well. Terry Gilliam thought it would be a good homage to Calvi. if you have been reading this blog, you’ll remember that Jessica Savitch, the first female, national news anchor died a mysterious death in a car accident, where she and her date plunged into a river returning home from dinner, just days after she had interviewed Calv.

One of the themes of Dr. Parnassus is an alternate reality that people step into via a mirror, where they confront the best and worst parts of themselves, thanks to the mental construct of Parnassus, who is dreaming their dream for them. One of the main locations in the film, where Parnassus sets up shop so that people can enter the dream world is “Green Dragon Court” a borough of London.

What I’m attempting to illustrate, is that through a conscious process of mirroring and reflecting, double identities and the super-imposition of duality, upon a film based matrix, that reality as we know is a loosely based construct, a series of inceptions and the films of Nolan, with their interchangeable cast members, not only model this, but even promote it, psychically driving it home, spreading memes and dreams like viruses.

At the end of Inception (here comes the spoiler) what’s interesting is the resolution of Murphy’s character, Robert (Bright Star) Fischer (Fischer Prince/Christ) and his father Maurice (Dark One/Fischer King/God). At the film’s end a synthetic reality and outcome has been achieved where Robert’s failure/disappointment has been changed/altered by the idea that his father wants him to live own life and experience free will. Is it real? A trick of the mind? Is it a Luciferian meme that is a construct where man finds his own brilliance apart format the judgment of God The Father? Does it matter? In the next part we’ll look more directly at Aurora, now that we’ve reached the moment of inception.

14 thoughts on “The Inception Of An Alternate Reality, More Gemini And Temporal Distortions Part 2”

  1. Hi Robert, Love the duality analysis. I hadn’t even seen the resemblance of JGL to Heath until you pointed it out. That opening ceremony of the Olympics was mind-blowing in so many ways… Here are a few of my thoughts based on what I saw in the TV coverage where I live (outside the USA):

    First thing I saw at the very beginning of the broadcast were little children carrying balloons, each with the number “6” printed… so it looked like “6 6 6 6 6 6” you get the idea. The balloons were part of the official countdown to the start of the game. There were other groups of children carrying balloons as well and the balloons would all pop when that number was reached. When we hit the number “6” in the countdown, two of the balloons didn’t pop (because I suppose leaving three unpopped would have been just TOO obvious). Gave me chills.

    The portion of the program that deals with the Industrial Age was called Pandemonium, named after one of the sections of hell in Dante’s Inferno. From the Anarchy Online wiki page:

    Pandemonium is the final and most dangerous area to progress to in the Shadowlands and represents the heart of the Source and the technology used to open it. In this place, the Beast reigns and his influence has corrupted and compelled members from both the Redeemed and the Unredeemed to join him. Despite this, both sides have gardens open to the bravest warriors who would challenge the might of the Beast and claim the Source for their side. These gardens are unique in that they do not require keys or insignias to access and any member of any side can enter them and use their shops (assuming they are survive the onslaught of foes).

    Pandemonium is almost exclusively used as a raid zone and it more or less entirely taken up by organized raid bots. The zone itself is considered to be ‘inside’ so programs that only work outside do not work in Pandemonium.

    The music choices were unbelievably subversive (I love Danny Boyle, this is him giving two middle fingers to the English Establishment). My favorite bit was using a snippet from the Sex Pistols’ “God Save the Queen”:

    God save the queen
    The fascist regime
    They made you a moron
    Potential H-bomb

    God save the queen
    She ain’t no human being
    There is no future
    In England’s dreaming

    Don’t be told what you want
    Don’t be told what you need
    There’s no future, no future,
    No future for you

    God save the queen
    We mean it man
    We love our queen
    God saves

    God save the queen
    ‘Cause tourists are money
    And our figurehead
    Is not what she seems

    Oh God save history
    God save your mad parade
    Oh Lord God have mercy
    All crimes are paid

    When there’s no future
    How can there be sin
    We’re the flowers in the dustbin
    We’re the poison in your human machine
    We’re the future, your future

    God save the queen
    We mean it man
    We love our queen
    God saves

    God save the queen
    We mean it man
    And there is no future
    In England’s dreaming

    No future, no future,
    No future for you
    No future, no future,
    No future for me

    No future, no future,
    No future for you
    No future, no future
    For you

  2. k

    Truly remarkable! I’m so grateful for the brilliant insights you share.

    ‘Our cells are holographic receptors. They hold and contain thousands of memories and are filed away into two distinct categories; love or fear. The fear based memories trigger anxiety, worry and stress. The love based memories trigger alignment, resonance and opportunity. Our cells are basically neutral. Its what we program them with, which can determine how our particular reality can unfold along a given line of emotion co-creating with intention.’


    Thanks for compelling me to look up Ed Bernays. Irony is taking me for a ride, being a gardener and naturalist currently employed as an executive assistant at a PR firm.

    I’m looking forward to what’s next…

  3. T

    Wow! amazing insight Robert. Great job of “illuminating” the darkness in all the rabbit holes of our “world”. Can’t wait for the next installment.
    Thank You
    Tom in Tempe Arizona

  4. Robert,

    Great post. Sorry I haven’t been on your blog in a long time, but Pluto has been in my Sun sign, so you know how it is.

    Seriously, though, you have to pick up some chick flicks once in a while, all this comic book stuff is so depressing. Have you seen “10 Things I Hate About You?”

    Peace, Light, and Happy Dreams!

  5. J

    …then there are not one, but two one-eyed Olympics mascots…whatever the hell they are supposed to be? Worms? Wormholes? Two seeing-eyes?

  6. D

    Talking of doubles, what about the fact that Nolan cast a man that looks like his own double, Leonardo di Caprio as the lead in Inception.

    They look almost identical in this picture, right down to the same cowlick, eyebrows, lips and goatee.

    Oh, and Blazes, the lyrics for ‘God save the queen’, it’s “We mean it ma’am” not ‘man’. Ma’am being correct etiquette in britain for directly addressing the queen. It makes the subversive lyrics even funnier, when you know that, especially being as the song was written in the 70’s when the royals were still being treated like gods in england. Nowadays of course they’re a bit of a joke.

  7. J

    …and when Heath passed to the next plan, someone at a news magazine told Jack Nicholson and instead of reacting in shock or disbelief, he said “I warned him, I warned him”…cool as a cucumber.

  8. J

    Ok …now this is even more bizarre. I looked up the video of former Joker Jack Nicholson’s response to Heath Ledger’s death, and guess where it was filmed? London. Far out….

    1. a

      Jack Nicholson has a pretty interesting background. He was raised by his Grandparents and for most of his young life, was told that they were his parents. He and his “big sister” moved to California together, where Nicholson would attend high school. Turns out big sis was actually his mother. Roman Polanski raped a minor at Nicholson’s house while Jack was away.

  9. “10 Things I Hate About You” was Heath Ledger’s first movie for the American audience, but he was already a teen icon in Australia when he took the part. The movie is interesting to me, however, as it is a retelling of the Shakespeare (Bacon?) play within a play “The Taming of the Shrew.”

    By the way, did you notice Snoop Dogg was reincarnated as Snoop Lion this week?

  10. J

    Yikes- the universe of a ‘celebrity’ is nothing to admire- multiple realities, a house of mirrors or perhaps pretending is more palatable than facing demons head-on? Somday, if I can stomach it, I might pick up the works of Bret Easton Ellis, but Holly-world, to me, is nothing insipid soundbites. Since I’m not willing to jump down that rabbit hole nor drink their Kool-aid, I’ll hear parallels you draw here and on Farcast.

    Speaking of Polanski- I was home from work, sick, on a hot summer day and was watching ‘Repulsion’ (filmed in London, a crash course in questioning reality sans a users manual)- never saw it before, but it was free, on-demand and who couldn’t resist Catherine Deneuve (French root ‘new’)? Just before the final scene and climax, my landlord came by to deliver and replace a broken appliance. He was gone before the scene started- lucky for the both of us.

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